.
Bringing Innovation to the Art & Science of
Curing Repetitive Stress Injury
.
HOME ABOUT US TESTIMONIALS FOR EMPLOYERS CONTACT US
Proof it Works
Doctor Testimonials
Client Testimonials
Scientific Study
 
Client Testimonials
Many of MoveRight Therapeutics' clients are so satisfied with the results of the MoveRight method that they write thank-you letters following treatment. The following are excerpts from some of these letters:
 
“I work for a provider of marketing communications for the financial and healthcare industries. One of my functions is to track worker incidents and injuries from both safety and workers compensation (insurance) points of view. Whether it's a production worker on a machine or an office worker or IT developer at a keyboard, the "repetitive motion" injuries that develop are often the result of incoordinate motion and poor workstation posture over time. I've become exquisitely sensitive to the fact that it is the relationship to the workstation/machine that is key, and time. The machines aren't going to change much, but relationships to the machine can. Little changes over time make a big difference. I've experienced this myself. I changed how I use the mouse (a big offender for some people). I paid more attention to alignment. The mouse is usually off too far to the right and rear so I am stretching and leaning over. I also occasionally switch the mouse to the left side and use my left hand. The result was complete resolution of pain. And that is how change can happen - making a subtle movement correction and repeating it many times. If done correctly (coordinately) I should be able to do a movement forever without getting injured and little fatigue.”

-Thomas Benoit
Newkirk Products
Vice President
 
“I have been working at a keyboard for many hours a day for about ten years. At work, I type continuously while conducting interviews by telephone, using a headset. I have to type fast and accurately to record exact quotes. I noticed pain in both hands at work, radiating up my arms. I also had pain in my neck and shoulder blades. I soon was unable to type, write, or perform other ordinary tasks with my hands like opening jars. I was diagnosed as having bliateral tendonitis in both arms.

I retrained with John Bloomfield [MoveRight specialist] over approximately four months. John is an alert, empathetic, patient, and imaginative teacher who by focused observation can pinpoint problems and suggest quick and simple corrections. He was better than any of the physical therapists I saw at showing me exercises to release tight muscles in my neck and back, although that is not his specialty. I now do about half the typing required at my job. At times I am entirely comfortable. John has given me the tools; the rest is a matter of self- awareness.”

-Temma Ehrenfeld
Newsweek Magazine
Writer & Assistant Editor
 
“Tendonitis in my hands and forearms made typing extremely painful. Multiple visits to doctors and surgeons as well as several months of physical therapy brought little relief. Nevertheless, in just a few sessions, Edna [Edna Golandsky, MoveRight Therapeutics founder] trained me to type in a different way that significantly alleviated the pain.”
-Lehman Brothers
Vice President
Fixed Income Division
 
 
“I spend many hours every day at the computer keyboard. I began experiencing stiffness in my fingers, pain in my wrist and back [and] also pain in my fifth finger on my left hand. The pain increased with the number of hours that I spent at the computer terminal. Professor Durso [Bob Durso, MoveRight specialist] offered to help me by teaching me a physiologically sound method of rearranging my basic finger/hand/arm motions. After one hour session, I noticed considerable relief from the pain and discomfort. Since then, if the pain recurs, I can make the necessary adjustments using these new skills to correctly use my fingers, hands and arms. He helped me with a worrisome problem that I thought would prevent me from continuing the work that I need to do for my job.”
-Marcelo Llarull, PhD
William Paterson University
Professor of Mathematics
 
“In December of 1996, my hands closed into fists as result of an injury called dystonia. Dystonia is considered by the medical profession to have no cure. At the time of the injury I was in my second year of college and practicing five to eight hours a day despite a lot of pain. As the symptoms of dystonia began to show, I felt that the more I practiced the worse my playing seemed to get. My fingers felt sluggish and the harder I tried to make them move the more heavy and slow they felt. Eventually it got to a point where my fingers would curl up under my hand after playing.

After a particularly frustrating day of practice, I was on my way home when I felt the third and fourth fingers of my right hand pull together in a sort of cramp or spasm. I tried to massage it away, but I couldn’t. I stuck my hand deep into my pocket and continued walking when I felt a sensation that seemed to be creeping through my right hand. All of my fingers were curling into a fist. There was no pain, only a light squeezing of muscles. Three hours after my right hand closed up I felt my left hand third and fourth fingers pull together, just as my right hand had done. I felt like I was living my own private horror movie, knowing what was going to happen to my hand, being unable to stop it, and only being able to watch and feel this odd sensation take over.

I started to take lessons with Robert Durso [MoveRight specialist], and began to learn how to replace my old movements with healthy new ones. My body responded favorably and my dystonia was gone within a year’s time. The technique unifies fingers, hand and forearm, so that they all move together in a coordinate way.

After eight months the worst of my dystonia was over. After two years of retraining my technique I returned to school and finished my Bachelor’s. I have now completed my Master’s degree in piano performance. Not only am I free from dystonia, but I am playing difficult pieces with more precision and artistic statement than I ever did before my injury. I cannot imagine what it is like for people who struggle with the injury for years, and are told they will never be healed. I hope my story will offer insight and inspiration.”

-Barbara Banacos
Piano Teacher
 
 
“I had been experiencing pain in my hands, wrists, and forearms that was diagnosed by a specialist as tendonitis. Though the pain had started as a minor annoyance, it quickly escalated to the point where I could no longer do my work, which involves many hours each day at a computer and considerable amounts of data entry. At one point, I had taken 5 straight days away from work. As a classically-trained percussionist as well, it was vital that I find a way to stop the pain and fix the problem so that I could continue working and that my playing remain unaffected.

The 3 sessions I had with you [Edna Golandsky, MoveRight Therapeutics founder] changed all of that. You determined that the problems consisted of positioning and movement, exacerbated by the presence of wrist supports. After adjusting my keyboard position and working at applying the principles of proper finger, hand, wrist, and arm movement that you showed me, the pain has decreased steadily and dramatically and I have been able to resume working full-time. I can't thank you enough!”

-Richard Herrick
Citi Habitats (formerly a division of Cendant Corp.)
Real Estate Agent
 
 
“I first studied with Edna [Edna Golandsky, MoveRight Therapeutics founder] a little over 20 years ago. The lessons were then, as now, revelations, both technically and musically. Unfortunately, at the time other interests drew me away from the piano, but I've been working with Edna now since Nov. 2005, and my progress is intoxicating. She's just a delight to work with.

Edna is unsurpassed in her ability to communicate the proper coordinate movements involved in piano playing. In the past I've always labored at the piano, feeling physically uncomfortable and therefore very insecure in my playing. It's difficult focusing on musical expression when the physical playing itself is a struggle. Thanks to Edna, this is no longer the case. Because I'm no longer fighting the instrument, practicing has become a pleasure. One learns so many things on which to focus during practice that it's never boring or tedious. Beyond the mechanics, Edna explains how to draw meaningful, expressive sounds from the instrument, and how to create long lines. Unlearning old habits and replacing them with correct ones is a challenge. Edna is very patient and always very encouraging.

The principles of movement I've learned from Edna are applicable to other areas, as well. As a Database Administrator, I spend about 5 hours per day in front of a computer. A number of my colleagues suffer from computer keyboard and mouse related repetitive motion injuries such as carpal tunnel syndrome and despite using wrist rests and Aspirin, their problems persist. I, on the other hand, have avoided these RSIs by ensuring that my forearms are properly angled to the keyboard, and by eliminating potentially dangerous movements such as dropping the wrist when typing, and twisting my wrist to reach the 'enter' key ”

-Jose Rodriguez
New York City Department of Transportation
Database Administrator
 
“I suddenly began to feel pain in my right thumb joint whenever I was at the computer. The pain became severe enough to prevent me from keyboarding and interfere with other activities, such as cooking and driving. I used a thumb/wrist splint, bought a wrist support pad for the keyboard, and tried to rest more. I was quite disabled and panicked about my ability to continue working.

The situation continued unabated until a friend referred me to John Bloomfield [MoveRight specialist]. John invited me to come in for a consultation. During that session he explained that I needed to keyboard moving my arm as a unit, from the elbow, and drop my fingers down above each key, rather than use the fingers as isolated units to poke at the keys, as I was taught in Junior High. That very first session he showed me how to use the spacebar without causing pain in the thumb. I think the thing that made me an instant convert was John saying that I would know I was doing it right if there was no pain. After that 20 minute session I was able to keyboard with about an 80% reduction in pain! After the next two one hour lessons, and practice at home amounting to about two five-minute sessions a day, I was able to keyboard quite comfortably. The next four sessions were spent mainly in perfecting a keyboard technique that was kind to the wrists and all of the fingers. Today I'm essentially pain-free.”

-Ronni Sandroff
Consumer Reports Magazine
Health Editor
 
“Speaking from my background in medicine and neuroscience, I can say that the Taubman approach is an incredibly detailed method that speaks directly to muscular coordination, motor learning, and cognitive restructuring toward the elimination and prevention of strain injuries. This has been noticeable in my typing, which used to cause me discomfort equal to that of the piano [tendonitis, fatigue, and tension]. The ease and comfort with which I can type vastly improved since beginning the Taubman work. Speaking as a musician, the Taubman technique, Robert Durso [MoveRight specialist], Edna Golandsky, [MoveRight Therapeutics founder] and colleagues offer not only a path to freedom from all technical limitations, but open doors to possibilities of musical expression previously unimagined. But you don’t have to take my word for it: In my first performances since working with Mr. Durso, reviewers have called my playing: 'novel in all the best ways,' 'intensely moving,' 'sensitively executed,' and 'the clear standout.”

-Aaron Berkowitz, M.A.
Harvard University, 4th Year PhD Candidate
Johns Hopkins School of Medicine, 4th Year MD Candidate
 
 
“After watching her [Edna Golandsky, MoveRight Therapeutics founder] lectures and demonstrations I realized I had found something phenomenal and after a few lessons my realization was confirmed.  Edna's analytical ability surpasses anything I have encountered and her insight into piano technique and musical artistry liberates the performer.  Her work helps to overcome limitations and insecurities.  Anyone requiring manual dexterity for their work would greatly benefit from Edna's expertise.”

-Ilya Itin
Concert Pianist
1st Prize, BBC TV Audience Award, and Contemporary Music Prize, 1996 Leeds Int'l Piano Competition
1st Prize and Chopin Prize, 1991 Robert Casadesus International Piano Competition
.
© 2007 Edna Golandsky. MoveRight® is a registered service mark. All rights reserved.